About
Updated

About us

GeoParallax is a South African geo-media house creating travel films, destination guides, books and photography, in the belief that every place is owed the truth about itself. Nothing here is borrowed and nothing is imagined: every film, every photograph and every guide was made on location, in person.

The beginning

1998

The year of the first Hasselblad.

Arnold Petersen holding a camera at a forest waterfall, strap around his neck
Destinations

6

Destinations, each filmed over a year or more.

Arnold checking his phone beside a canal, camera mounted on a tripod under a footbridge
Arnold in a library with camera in hand, copies of The Western Cape stacked on the table
The book

338

Pages in Edge of the Continent - 319 of them photographs.

Arnold photographing the Knysna estuary from a headland, camera bag on his back
Independence

0

Sponsored trips, free stays or paid placements since 1998.

GeoParallax

Every fee on these pages was paid at the gate, every road driven in person, every season waited for. A place gets a year of our time before it gets a word of ours. That is slow work, and it has one purpose — so that what you plan from these pages holds up when you arrive.

Five film cameras on a wooden shelf, the 1998 Hasselblad at the centre
Origin

How did GeoParallax start?

With a camera. The Hasselblad arrived in 1998 and was pointed at home town — the coastline, the passes, the towns I live among — photographed through every season, year after year, because I was there for all of them. International agencies began licensing the work in 2004. The films followed under the name Distinct Travel, then the guides, then a book. In 2026, nearly three decades after that first frame, all of it came under one roof: GeoParallax.

Formerly Distinct Travel.

Arnold at a Blyde River Canyon viewpoint, medium-format camera in hand
Method

Made on location, in person

Every shoot starts months in advance. The location is planned, then scouted on foot — finding the exact point the frame needs, then hiking or climbing to reach it at the right hour, and waiting there to freeze the moment. Then the season changes, and it all happens again. Shot by shot, a place begins to show its true beauty — not one good afternoon, but the whole of it. That is what made on location, in person means. The guides are written from those same trips.

  • Planned months in advance
  • Scouted on foot, to the exact point
  • Shot season after season
  • Guides written from the same trips
The work

One place, seen four ways

Every destination here takes four forms. The film comes first. The guide follows, written from the same trips. When a region has given enough, it becomes a book. And the photographs travel on their own — licensed through Shutterstock, Adobe Stock and iStock, with fine-art prints to follow.

A lone photographer at a tripod on a grassy outcrop high above the Blyde River Canyon, the Three Rondavels across the gorge
Our commitment

Independent since 1998

Every trip behind this site is paid for by the business — the travel, the stays, the entrance fees. No tourism board has hosted us, no brand has placed a product, no link here earns a commission. It is the expensive way to work, and the only one that leaves every opinion entirely ours.

Dr Ian Kennedy at his desk, turned from two monitors with a document open on screen
Research

The editor's desk

Nothing here is published on memory alone. Every guide and every film narration crosses the desk of Dr Ian Kennedy — retired from the University of the Witwatersrand, where he earned his PhD, and the author of How to do Research: Today's Tips and Tools — who questions the numbers, checks the sources and edits the final word. That is why every fee table carries the date it was checked, and every figure its source.

The name

Why "Parallax"?

Depth is what you get from looking twice. Parallax is the shift between two vantage points, and it is the whole idea of this work: the same place seen as a local and as a traveller, in summer and in winter, on film and on the printed page. The depth is in the difference.

Contact

Get in touch.

Whether it's about the books, the films, the guides, or licensing an image — every message lands in my inbox, and I answer it myself.

Private & direct

Tell me what's on your mind.