Edge of the Continent open at the Chapman's Peak spread, resting on a stone wall above the road where the photograph was taken
SA launch special

R898R698

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The first edition, direct from us

Look Inside

Six pages from the book, one for every region. Each carries the note that runs beside it in print, which you can read or hear read aloud.

Two small dusk frames and the note face a full-bleed harbour panorama, Table Mountain behind moored boats
Photographer's Note:

V&A Waterfront: The Oldest Arrangement

On a still spring evening the air above the basin holds its warmth, and the smell of the sea comes in without hurry, carrying the salt of it and, somewhere under that, the oil and rope of a working harbour. Seagulls move without urgency. The red tower at the basin's edge was built in 1882 as the Port Captain's office, its clock brought from Edinburgh to mark the hours for ships entering Table Bay, and it has kept its position through every change the harbour has made since. The canal is quiet enough to hear a rope tap a hull. The mountain behind everything has been above this bay since long before the ships, before the office, before the clock, and everything arranged at its foot has had to fit around the rock. The air is warm and the water is flat and still. This is a place people keep returning to without quite being able to say what draws them, and the harbour, the old stone, the open sky above the basin, offer nothing by way of explanation.

Book Chapter
Cape Town
The City the Mountain Made

About the book

Ten years went into this book. Not ten years of assignments, but ten years of returning — to the same passes in different weather, the same coastlines at different hours, the same farms across a full turn of the seasons. 52,000 photographs, and the 300 that survived the cull.

The Western Cape is not one place, and the book does not pretend otherwise. It is organised as six worlds: Cape Town under its mountain, the cold Atlantic shore of the West Coast, the cultivated valleys of the Winelands, the wheat and orchard country of the Overberg, the enormous quiet of the Karoo, and the forests and lagoons of the Eden. Each is given its own chapter, and each is photographed as somewhere lived in rather than looked at.

A medium-format camera on a tripod frames the red-and-white striped lighthouse across breaking surf
Cape Agulhas · September 2015
Looking down through coastal forest from a tripod-mounted camera to the suspension bridge below
Tsitsikamma · February 2017
A caged mirrorless camera counts down a long exposure on wet sand, headland silhouetted in sunset haze
Mossel Bay · October 2019
A tripod-mounted camera faces the harbour at dusk, Table Mountain behind the lit Victorian buildings
V&A Waterfront · November 2020
A Fujifilm GFX on a carbon tripod turned toward a river winding through reed beds under heavy cloud
Wilderness · August 2023
A camera on a Rollei tripod beside a wooden boardwalk descending to a turquoise lagoon and hill
West Coast · March 2026

Facing many of the photographs is a short note — what the place was doing that day, what it used to be, what the picture does not show. A woman’s footprints in rock at Langebaan, 117,000 years old. Five camphor trees at Vergelegen that have outlasted every owner of the ground they stand on. They are the notes of someone who was standing there, and they are the reason the book reads rather than merely displays.

About the author

Arnold Petersen has spent his working life building artificial intelligence systems, eighteen years of finding the order inside what looks like noise. Photography has run beside that career the whole way, never as an occupation, always as the thing he could not put down. It began as a hobby in 1990; by 1998 it had earned a Hasselblad, which is not a camera anyone buys casually, and by 2004 the work was being licensed worldwide. The career and the passion turned out to be one discipline at different speeds: each begins with apparent chaos, and each depends on seeing the arrangement inside it.

That habit does not switch off when he lifts a camera. But reading a landscape is only the analysis; the photograph is the invention, and that part no system can be taught. Edge of the Continent is that way of looking turned, at last, on his own home: a small and temporary presence in a place that was here long before you came, and will go on long after.

More about GeoParallax →
Arnold Petersen outdoors, arms folded and smiling, a cap and mirrored sunglasses pushed up on the brim

Specifications

Where to buy

Edge of the Continent is a large-format landscape hardcover: 338 pages, 279 × 216 mm, printed four-colour throughout on 150 gsm matt art paper and threadsewn in Cape Town by Tandym Print. It weighs about 1.8 kg. The first edition is the only edition in print, and it is available worldwide through the retailers below.

South Africa

Signed on request, with a personal dedication.

Amazon.co.za — from October

United Kingdom

Blackwell's ships worldwide free.

Europe

Delivered locally within the EU.

Everywhere else, the book is orderable through any bookshop. Quote ISBN 9781048305746.

Trade, hospitality and corporate

Supplied directly to hotels, estates, galleries and shops, with pricing by volume. For corporate gifting, a tipped-in dedication page carrying your mark and a message from your chief executive can be produced. Signed copies for special guests.

  • Volume pricing
  • Tipped-in dedication page
  • Signed copies
Trade & wholesale enquiries

Frequently asked

Can I buy a signed copy?
Yes. Every copy ordered direct from GeoParallax is signed on request, and a personal dedication can be added — leave the name in the order notes.
Do you ship internationally?
Copies ordered direct ship from Cape Town worldwide. Closer to home, Blackwell's ships worldwide free of charge, and the Amazon and bol.com listings deliver within their own regions.
What edition will I receive?
The first edition hardcover — 338 pages on 150 gsm matt art paper, threadsewn and bound in Cape Town. It is the only edition in print.
Can the book be personalised for corporate gifts?
Yes. For volume orders, a tipped-in dedication page carrying your mark and a message from your chief executive can be bound into each copy. Start with a trade enquiry and we will come back with volume pricing.

Ten years, six regions, one book.

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The hardcover open at the Clifton spread, a long-exposure tidal pool facing a coastline at dusk